Serigala Betina dalam Nana
Shot by Batara Goempar, Before, Now & Then finds no lack of beauty in the cyan hues of Nama's spacious house. There is also a lovely jukebox soundtrack of contemporaneous pop music from the region, as well as live performances of traditional music filmed on Nama's spacious porch. Even more crucially, perhaps, the world outside her affluent.
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Batara Goempar movie reviews & film summaries | Roger Ebert. Movie Reviews TV/Streaming Interviews Collections Great Movies Chaz's Journal Contributors Cast and Crew Batara Goempar Find on IMDB. Find on Wikipedia. Reviews. The Big 4 (2022) Brian Tallerico. Cinematography. Portals (2019) Glenn Kenny. Cinematography.
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Batara Goempar is known for The Night Comes for Us (2018), Before, Now & Then (2022) and Possessive (2017). Add photos, demo reels Add to list More at IMDbPro Contact info & Agent info Awards 3 wins & 13 nominations Known for: The Night Comes for Us 6.9 Camera and Electrical Department (as Batara Goempar Siagian) 2018 Before, Now & Then 6.6
Berlinale Wettbewerb "Nana" und "Yin Ru Chen Yan" rbbKultur
Batara Goempar has been nominated for Best Cinematography at Festival Film Indonesia's Piala Citra Awards five times - for director Edwin's Posessive (Posefif, 2017), Timo Tjahjanto's May the Devil Take You (Sebelum Iblis Menjemput, 2018), Lucky Kuswandi's Ali and the Queens (2021), Rahabi Mandra and Aldo Swastia's Cadet 1947 (Kadet 1947, 2022).
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Courtesy of Batara Goempar Indonesian writer-director Kamila Andini ( The Mirror Never Lies, The Seen and Unseen, Yuni) describes her fourth feature as "a simple period film, employing a gentle.
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Kamila Andini's fourth feature is a melancholy drama set during the Indonesian communist purge of the 1960s. Dir/scr: Kamila Andini. Indonesia. 2022. 103 mins. The tumultuous years of the 1960s.
Nana (2022)
Batara Goempar Highest Rated: 100% Before, Now & Then (2022) Lowest Rated: 79% May the Devil Take You (2018) Birthday: Not Available Birthplace: Not Available Filmography Movies Rotten Tomatoes,.
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camera, writer. biography, photo, best movies and TV shows, news, birthday and age. «The Big Four» (2022), «Perfect Strangers» (2022), «Before, Now & Then.
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Before, Now & Then is a very carefully wrought arthouse film of the kind we used to see a good deal more in festivals, wreathed in poetic melancholy and never less than beautiful; Batara.
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If all this sounds a tad conventional so far, it's only because you haven't been treated to the string-heavy score of composer Ricky Lionardi and the staticky radio songs that accompany.
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Batara GOEMPAR KIM Ji-yong LU Songye URATA Hideho Ravi VARMAN. Best Original Music CHO Young Wuk ISHIBASHI Eiko A.R. RAHMAN Jérémie ARCACHE, Christophe MUSSET Bahman GHOBADI, Vedat YILDIRIM.
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Batara Goempar ; Happy Salma ; Related Nominations. Best Cinematography, 2022. Lv Songye . Best Cinematography, 2022. Lv Songye . One and Four (Yige he sige) More Details. Best Cinematography, 2022. Florent Herry for Snow and the Bear (Kar ve Ayı) Best Cinematography, 2022.
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Chempa Puteri as young Dais Production The principal photography of Before, Now & Then began in March 2021 in Ciwidey, Bandung, West Java. [7] The film won the CJ ENM Award at the 2021 Asian Project Market Awards during the 26th Busan International Film Festival, winning $10,000 in cash. [8]
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At its heart lies an unexpected female friendship that feels like a crucial lifeline among the sea of adversities caused by men's brutality. by Kamila Andini. with Happy Salma, Laura Basuki, Arswendy Bening Swara, Ibnu Jamil, Rieke Diah Pitaloka, Chempa Puteri, Arawinda Kirana Indonesia 2022 Sundanese 103' Colour. Credits.
Nana von Kamila Andini Ein Frauenschicksal aus Indonesien
DP Batara Goempar with the ALEXA LF and Signature Primes behind the scenes Another creative decision that was made early on was how the team would handle the dream or hallucination sequences. "The film is called 'Before, Now & Then' because it represents the complexities of a woman's difficult past, present situation, and what she sees.
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Before, Now & Then has earned Andini numerous comparisons to Wong Kar-wai that are not entirely undeserved; the film's gorgeous visuals, from the stunning floral wallpaper that covers Nana's sitting room to the rich fabrics that comprise her wardrobe to the way cinematographer Batara Goempar's camera frames each shot as though it is a.